Showing posts with label Pan Macmillan. Show all posts
Showing posts with label Pan Macmillan. Show all posts

Review: Reasonable Doubt by Dr Xanthé Mallett

Thursday, 13 August 2020

Reasonable Doubt by Dr Xanthe Mallett
Released: 28th September 2020
Published by: Pan Macmillan
Genre: Non-fiction
Source: Publisher
Pages: 272
My Rating: 4 of 5 stars
We all put our faith in the criminal justice system. We trust the professionals: the police, the lawyers, the judges, the expert witnesses. But what happens when the process lets us down and the wrong person ends up in jail?

Henry Keogh spent almost twenty years locked away for a murder that never even happened. Khalid Baker was imprisoned for the death of a man his best friend has openly admitted to causing. And the exposure of 'Lawyer X' Nicola Gobbo's double-dealing could lead to some of Australia's most notorious convictions being overturned. Forensic scientist Xanthé Mallett is used to dealing with the darker side of humanity.

Now she's turning her skills and insight to miscarriages of justice and cases of Australians who have been wrongfully convicted. Exposing false confessions, polices biases, misplaced evidence and dodgy science, Reasonable Doubt is an expert's account of the murky underbelly of our justice system - and the way it affects us all.
Thank you to Pan Macmillan Australia for providing a copy of this book in exchange for an honest review

Perfect for true crime fans, Reasonable Doubt offers a harrowing and well-researched glimpse into the criminal justice process and what can happen when the wrong person pays the price. Detailing six cases of wrongful convictions, Mallett's accounts offer deep yet objective insight into how failings in how evidence is inspected and even investigators' own biases can play out with consequences that reach far beyond the crime itself. What makes this book so readable is that Mallett sets out her perspective in a way that is measured and critiques the outcomes in each of the cases with reference to the view that prosecutors should 'fight hard, but fight fair'. The additional information on forensic techniques and methods of analysis used in the cases was particularly eye-opening for those interested in the science and psychology behind the investigation process.

It also accounts for the vast majority of cases which go to trial and are run successfully - this balanced perspective adds to the credibility of the work as a whole and though clearly not a 'joyful' read, it is a thought-provoking one. Probing techniques such as guilt-testing and even failings to consider all possible routes of evidence and scenarios which could have set the innocent free, it's interesting, and somewhat disconcerting, to think that the scales of justice can be impacted on even the smallest change in how a crime and its suspects are presented.

FINAL THOUGHTS

If you're like me and enjoyed books such as The Secret Barrister, In Your Defence, or are already an established true-crime fan not one to shy away from a hard look at some of Australia's harrowing criminal cases, Reasonable Doubt is for you. This book offers what is a unique and fascinating perspective on perhaps the most fundamental tenet of our justice system which deserves greater scrutiny, that Mallett has done well in adding to with her educated prose. 

Review: The Innocent Reader: Reflections on Reading and Writing by Debra Adelaide

Tuesday, 26 November 2019

The Innocent Reader by Debra Adelaide
Released: 24th September 2019
Published by: Pan Macmillan
Genre: Non Fiction, Memoir
Source: Publisher
Rating: 5 of 5 stars
Pages: 257
Books are impractical companions and housemates: they are heavy when you are travelling, and in the home take up a lot of space, are hard to keep clean, and harbour insects. It is not a matter of the physical book, it is the deep emotional connection that stretches back to my early years. Living without them is unimaginable. 

These collected essays share a joyous and plaintive glimpse into the reading and writing life of novelist, editor and teacher of creative writing Debra Adelaide.

Every book I have read becomes part of me, and discarding any is like tearing out a page from my own life. 

With immediate wit and intimacy, Adelaide explores what shapes us as readers, how books inform, console and broaden our senses of self, and the constant conversation of authors and readers with the rest of their libraries. Drawing from her experiences in the publishing industry, the academic world, her own life and the literary and critical communities, she paints a vibrant portrait of a life lived in and by books, perfect for any student, bibliophile, editor, or simply: reader.
Thanks to Pan Macmillan for sending me a copy of this book in exchange for an honest review

There is something comforting about coming back to reading essays from fellow bookworms about just what makes reading such a major part of their lives. A few years ago I had the pleasure of eagerly flipping the pages of The Simple Act of Reading, edited by Debra Adelaide, which so eloquently described the joy and wonder which these words on a page can inspire. In The Innocent Reader we have a glimpse into Adelaide's own reading and writing habits, alongside how books had shaped her life from her early years, to raising a family and becoming an academic. 

I don't know how you cope. People would say this constantly over the months that followed. What with the other children, your work...There was no mystery. I told people I coped because I had to, as any other parent would do the circumstances. I coped because there was no question of not coping, there was quite simply no alternative...But there was another reason I could cope, which was one I could never articulate, seeing as it sounded so simple-minded at times, even callous. I coped because I read. My diary of that first year or so of the treatment is also a diary of my reading, haphazard and arbitrary, literary and highbrow.

It may seem easy to dismiss taking the time to pick up a book and escape for a little while into another world as something frivolous when we could always be doing something else - or if you are reading, for it to be at least something 'literary' or 'highbrow'. But what I love about Adelaide's voice which comes through so clearly here is that literary 'snobbery' doesn't need to have a place at the table in our everyday lives. After all, where is there room for that kind of ego when you are facing some of the biggest challenges of your life? The chapters detailing reading both for her son and herself at his bedside at Sydney Children's Hospital after he was diagnosed with cancer made clear just what a difference these simple moments with a book can make.

Everyone has a story in them. Everyone has a novel in them, or so it is frequently said. And humans tell stories...so it makes sense that people everywhere, from cocktail parties to wedding receptions and the signing queues in bookshops, lean forward confidentially and offer you a story, if only you are prepared to write it. 

While it was so interesting to read about the author's personal life in this book, The Innocent Reader also offers some really useful insights into the writing process and how to go about reviewing too. Now being a 'literary critic' is a whole other world from this land of book blogging, but the process of filtering your thoughts on a written work through both a subjective and objective lens is similar. It's definitely made me reflect on how I look at the books I read, and what that special something is that draws me to a particular author or writing style. With a balanced and measured approach of someone who is well within the literary scene, Adelaide offers her own advice and reflections in a way which all readers should be able to take something away from. 

FINAL THOUGHTS

As one of my favourite quotes from this book states, "There can never be too many books, or too many writers. Or too many readers, or too much reading." When it comes down to it, I couldn't have said it better myself.

{Extract} The Sunday Story Club: Real life tales of love, loss, trauma and resilience

Saturday, 6 July 2019


My favourite part of this book is that every chapter in The Sunday Story Club brought new insights into people's experiences - reminiscing on past mistakes and struggles, and looking into the deeper questions of who we really are and what's brought us to the present moment. Today I'm sharing an excerpt from one of my favourite chapters in the book called "Being known", starting off as a woman reflects on a chance encounter in Paris which prompts a reflection on her upbringing and how we come to be able to truly express ourselves without judgement.

The Sunday Story Club by Doris Brett & Kerry Cue
Released: 25th June 2019
Published by: Pan Macmillan
Genre: Non fiction/memoirs
Source: Publisher
Pages: 272
My rating: 5 of 5 stars
'I'm sorry. I didn't mean to cry. But the salons have given me the opportunity to look back and think about my life . . . I don't talk to anyone about these feelings outside of the salon.'

A book club without books. A key to the stories we all carry within us - wrenching, redemptive, extraordinary, laced with unexpected and hard-won wisdom. These are the stories that women tell each other when they gather for a deep and structured conversation - once a month in a suburban living room - about the things that really matter. They discover that life can be a heartbeat away from chaos; that bad things happen to good people; that good people do outrageous things; that the desire for transformation is enduringly human - painful and yet possible. A mother tells of the heartbreaking loss of control when her daughter develops anorexia. A sister reveals the high psychological cost of being hated by a sibling over the course of her life.

Husbands leave wives; wives take lovers; friendships shatter; finances collapse; children defy parents; wrong choices turn out to be right ones; agency is lost and re-claimed.

Profound, layered and clear-sighted, this collection of real-life stories reveals the emotional untidiness that lies below the shiny surface of modern life and reminds us of the power of real conversation to enlighten, heal and transform.

As a child and teenager, I had been quiet and rule abiding at home. I was never offered emotional or spiritual guidance by my parents. They never asked about my emotional life. I felt loved, but to them parenting meant providing the basics: food, shelter, clothing, schooling. I don’t think they knew how to do anything else. All my parents saw at home was the quiet girl who kept to herself and didn’t cause trouble. Outside the home, however, was a different matter.

I brought myself up, and my primers were Enid Blyton books – The Famous Five, The Secret Seven, The Five Find-Outers and Dog. I devoured her books and her fictional protagonists became my role models. They were brave and adventurous. They went where they weren’t supposed to go. They took risks. They got grubby and tore their clothes. They defied authority. And they weren’t afraid. These were my real role models. I became a rule breaker and a risk taker. I wasn’t quiet. And I didn’t conform. My friends were always in the fringe groups; I could never understand people who kowtowed to the in-group in order to be accepted.

My Paris experience, then, was for the adventurer in me – the part that had responded to the derring-do antics of my childhood literary models. I didn’t tell anyone about what I had done. Not because I was ashamed or embarrassed – I was neither of those – but simply because in my family we didn’t share our experiences, not even with each other. I grew up in a house of secrets.

My mother sailed on the last ship from Poland before the war. She was sixteen years old. The rest of her family had remained in Poland, and all of them were murdered. My father was sent by his family to England to escape the Nazis. The British interned him and sent him to Australia on a ship called the HMT Dunera, which would later become notorious for the mistreatment of the detainees, including the young Jewish refugees who were sent to a prisoner-of-war camp in Hay, New South Wales. Like my mother, my father was the only one of his family to escape Europe. He too was the sole survivor of his family. Neither of my parents talked about their war and pre-war experiences in any detail, but my older siblings and I grew up knowing that they both had suffered intense pain and loss and had witnessed almost unbearable cruelty.

I was much younger than my older siblings; I almost felt like an only child. At the dinner table, my brothers and sisters talked. They were older and louder than I was. If I chimed in, I was either ignored or told to be quiet. I became used to being the listener, the observer. Perhaps because of this, I also became the keeper of secrets. When my mother was 42, she unexpectedly fell pregnant. In those days, women of that age didn’t have children – they were considered too old. My mother was deeply embarrassed by her pregnancy. She refused to tell anyone and disguised her condition in loose clothing. She didn’t drive and would walk to her doctor’s appointments in the evening. She wanted someone to walk with her and I filled that role, which was how I came to learn of her condition. I was ten years old and, for nearly seven months, I kept that secret from everyone, including my family and my closest friends. About three weeks before the expected birth date, my mother called the family into the living room and announced that she was pregnant. That was the first they knew of it. Despite their remoteness, my parents had clear favourites among their children. My father loved the firstborn, a girl, because he had lost a sister in the Dachau concentration camp. The next child was a boy – the only son – and he and my mother were close. Then came a sister who was also close to Mum. And finally there was me, and I was a daddy’s girl.

And yet despite these connections, I’m not sure that my parents really knew any of their children. They knew what they looked like, of course, and what they achieved in school and so on, but they didn’t know who they were inside. 

They didn’t know what they thought, felt, feared, loved or hoped for. Emotional issues were never mentioned, let alone discussed. There was a matter-of-factness to everything and no curiosity as to why someone might feel or think one thing or another. We were brought up to adopt that same matter-of-factness, a kind of businesslike approach to life: ‘It happened, it’s over, move on.’ Everything was external and nothing was internal.

I never thought about my life – my inner life, that is – until I was in my sixties and I went to my first salon. My family’s attitude is, of course, the opposite of the salon approach, where we think about our inner lives, explore them, unearth our stories. When I went to my first salon, I was startled by the idea of meditating on the patterns and discoveries of one’s own life. It was as strange to me as if the sun had turned purple. And I loved it. The salon gave me permission to explore myself for the first time in a safe environment. When I told various stories about my life, I got feedback and a different perspective. I was quite stunned by some of the reactions.

There are things I’ve done that seemed very ordinary to me, but to some people they were amazing, brave and even, some said, inspiring. I was astonished when they said that. Hearing those responses helped me to grow and see different parts of myself and recognise the strengths I have. Listening to other people’s stories has also helped me grow. Hearing how they have responded to their own life experiences has helped me to sort out my own issues, given me a different appreciation of how my mind works. 

And it has been fascinating to see how people with different backgrounds, belief systems and philosophies approach the same topic. Sometimes, when you’re listening to other people’s stories about how they have dealt with various obstacles and difficulties in their lives, you think: Wow, that was impressive. And then you realise that you’ve also managed to deal with something like that. You can recognise parts of yourself in other people’s experiences and it allows you to see yourself from a different perspective. It’s a process that brings your strengths to the foreground – it frees you up. And everyone is open about their mistakes. There’s a recognition within the group that we’re all human; we don’t judge each other. I learned more about myself – who I was and who I had been – in the first three salons than I had learned in my whole life.

When I got engaged, my mother said to me, ‘You’re getting married and I don’t even know you.’ I said, ‘Yes.’ She wasn’t wistful. She didn’t say it regretfully. It was just a statement of fact. And I responded equally matter-of-factly – she was right; she didn’t know me.

I look back on that moment now and it strikes me that at least she was aware that she didn’t know me. That must mean something. And yet she wasn’t saying it with any emotion or sense of enquiry. It wasn’t intended as an invitation for me to open myself up to her. I think she was simply recognising the fact.

I was telling a friend of mine about this and she said to me: ‘If you had been like that stranger in Paris and handed your mother a photo of yourself, what would it have looked like?’ The question stopped me in my tracks. What would my photo have looked like? And then, as I thought about it, it occurred to me that maybe we’re really all going around like the man in Paris – handing out photos of ourselves that don’t reflect what we look like on the outside, saying, ‘Look, this is me, this is the real me,’ and hoping someone will finally recognise us.



This is an excerpt from The Sunday Story Club by Doris Brett and Kerry Cue, published by Macmillan Australia, RRP $32.99 and is available from all good bookstores. Any 'quoted' sections represent emphasis added by me. 

Review & Author Interview: Allegra in Three Parts by Suzanne Daniel - A 5-star Australian coming-of-age novel

Saturday, 1 June 2019


Allegra in Three Parts by Suzanne Daniel
Released: 28th May 2019
Published by: Pan Macmillan
Genre: Contemporary fiction/coming-of-age
Source: Publisher
Pages: 301
My Rating: 5 of 5 stars
I can split myself in two... something I have to do because of Joy and Matilde. They are my grandmothers and I love them both and they totally love me but they can't stand each other. 

Eleven-year-old Allegra shuttles between her grandmothers who live next door to one another but couldn't be more different. Matilde works all hours and instils discipline, duty and restraint. She insists that Allegra focus on her studies to become a doctor. Meanwhile free-spirited Joy is full of colour, possibility and emotion, storing all her tears in little glass bottles.

She is riding the second wave of the women's movement in the company of her penny tortoise, Simone de Beauvoir, encouraging Ally to explore broad horizons and live her 'true essence'. And then there's Rick who lives in a flat out the back and finds distraction in gambling and solace in surfing.

He's trying to be a good father to Al Pal, while grieving the woman who links them all but whose absence tears them apart. Allegra is left to orbit these three worlds wishing they loved her a little less and liked each other a lot more. Until one day the unspoken tragedy that's created this division explodes within the person they all cherish most.
I've always thought that the best books are ones where you can turn the last page and think "this moved me" or "I really learnt something from reading this". Suzanne Daniel's outstanding debut did both for me. It's a triumph for not only bringing such heart to a story which captures the complex links in familial ties, but one girl's coming-of-age as she seeks to reconcile where she fits into it all. Written from Allegra's distinct voice, there's a good balance here of both childhood innocence with some heavier themes of dealing with the absence of a parent, the state of women's liberation in Australia in the 1970s, women who are victims of violence and a glimpse into the migrant experience at that time.

'It's a funny thing, Allegra', says Sister, offering me another Shortbread Cream. People think respect comes from success, fame or fortune, when in fact the most admired quality at the end of the day is kindness. Because kindness, dear - kindness - is the best indicator of a person's wellbeing. Yes, indeed, kind people are those who truly take pleasure in their time on earth.'


Both of Allegra's grandmothers love her immensely, and her father too, though all of these adults in her life have been affected by the turmoil of her mother not being there with them. Joy and Matilde with their contrasting personalities and approaches to life made this a colourful read, with Rick becoming a more steady force as the story goes on. Though there's definitely a theme of female empowerment, and not just in an overtly feminist tone, there was also a look into positive male role models and how men grieve too when hit by life's tragedies.

'Can you smell the air coming in off the salt water?' says Rick, inhaling slowly. I follow his lead and breathe in the air. 'You know what I reckon, Al...the cure for everything is salt water. Yep, think about it: sweat, tears, and the sea. They're all made up of salt water. The first two can pump out your pain and the last one - the sea - well, it washes it away,'

In all it's the idea that self-knowledge is a continuous process which made this book really stand out for me, and it's definitely become a firm favourite on my shelves. This is an altogether impressive debut from Suzanne Daniel, she is definitely a local author to watch!

For more insights about Allegra in Three Parts, read on for my interview with Suzanne Daniel!

Thank you so much for stopping by on the blog Suzanne. and congratulations on releasing your first novel! What were some of the biggest challenges and best moments in your journey to having Allegra in Three Parts published?

Thank you for having me!

For a number of years writing my novel was a private thing, something of a hobby I was fitting around work and family. This gave me creative freedom but it also meant I wasn’t accountable to anyone else, or to a time frame. And without either of these, there was always something more pressing to do. I had to work hard to improve my self discipline, make myself go to the desk and spend time on something that was never urgent. If the writing was flowing well, I became totally absorbed and it took on a momentum of it’s own. I was loathed to stop and couldn’t wait to get back to it. When it wasn’t, I’d wander off to make another cup of tea, end up cleaning a cupboard or making a phone call. After a while I made myself push through the less inspired writing episodes by setting a daily word count and I wouldn’t allow myself to rise form the desk until I hit it. This became my magic formula.

I started to write the book in the third person but that wasn’t capturing Allegra on every level. I wanted her story to be visceral but I’d been told that trying to write in the first person was too ambitious for a first time novelist. I fiddled, tested and tweaked, and finally I found Allegra’s voice. Once I did, she kind of led me and we were away.

 
A quote from Simone de Beauvoir "Self knowledge is no guarantee of happiness, but it is on the side of happiness and can supply the courage to fight for it", opens this novel beautifully and sets the tone for the rest of the story. How did the state of feminism in Australia in the 1970s first come into the picture for the socio-cultural setting of Allegra in Three Parts?

I'm fascinated by this period in history and what was happening for women during the second wave of the women’s movement. Not just the street marches and the mobilising actions of the ‘sisterhood’, but for women out in the suburbs, some staying in marriages they were disillusioned with, others leaving them to carve out a new identity. Many women ended up leading double lives: feminist uni student by day, then a second shift as homemaker, wife and mother. Conversations were starting to change among women and between women and men. 

Women were opening up to one another in a new way, starting to understand through sharing their private thoughts, responses and feelings, that it wasn’t ‘just me’ but that what they were experiencing was almost universal. The personal did become political. And of course you have to fully understand yourself before you know what will make you content in the long term. Hence I chose the Simone de Beauvoir quote to open the novel. I also liked it because it sets the scene for Allegra’s ultimate coming of age. 

'Adult fiction' written from a child's perspective as the main character has made for some interesting reads. How did you find the experience of writing about some confronting issues such as domestic violence, racism and the absence of a parent through eleven-year-old Allegra's eyes?

I remember myself and know from raising three children, that a child’s development and understanding isn’t linear. An eleven-year-old can swing from almost adult insight, to breathtaking naivety many times in one day. Once I placed Allegra in the various confronting situations dealing with domestic violence, racism and an absent mother, I dug deep to put myself inside her head and her heart. I did a lot of research on the effects of conflict on a child as well as ‘cred testing’ Allegra’s responses with my youngest daughter, Francesca (who was about 14 when I started writing the novel) and my cousin’s daughter, Molly when she was actually eleven.
 
The complexities of finding true friendships and navigating how the 'social hierarchy' works as a young adolescent also seemed to underscore Allegra's development in the story. Do you think much has changed around these issues in today's age compared to when the book is set?

Thankfully I think things have improved somewhat in that adults and educators are now much more aware of the damaging effects that bullying has on a young person. In the 1970s, when this book is set, sadly bullying was often seen as just ‘kids being kids’ and so many children suffered dreadfully at the hands of bullies. And of course scratch beneath the surface and the bullies were usually suffering in some way themselves too. I know from being on the Board of a large senior school that a lot of effort and resources are now dedicated to combating bullying and creative strategies are put into place. Even so, humans are still programmed similarly and navigating the 'social hierarchy’ remains a challenge for children and adolescents today. And of course they are dealing with things that weren’t around in the 1970s like social media.
A key strength of this book and what makes it so memorable for me is how well-developed all the characters are, especially Allegra's grandmothers Matilde and Joy. What did you find significant about having these two women feature in the story?

I wanted to show love delivered in different ways to a child within one family so Matilde and Joy, being neighbours but so polarised, gave me a great opportunity to do that. They have very different backgrounds, aspirations and world views but both love Allegra wholeheartedly. I wanted my readers to see these grandmothers in all their humanity, magnificent one minute, flawed the next. And even though readers' allegiances might swing back and forth between Matilde and Joy, ultimately I hoped by the end of the novel they would at least understand both of them and certainly care about them too. To me a well-developed character is someone I care about and I really worked hard to make that happen, so thank you for finding my characters this way.

Without giving too much away, is there a favourite moment or quote that struck a chord with you wen writing this book?

So not to spoil things for those yet to read Allegra In Three Parts I’ll nominate the strudel making scene, the I AM WOMAN scene, the glass house scene, the tent scenes and the final pages. I could go on…


About the author


Suzanne Daniel is a journalist and communications consultant who has also worked for ABC TV, the Sydney Morning Herald, the United Nations, BBC (London) and in crisis management and social services. For the past twenty years she has served on community, philanthropic and public company boards. Suzanne lives in Sydney with her husband and family. Allegra in Three Parts is her first novel.

Review: Give Me Your Hand by Megan Abbott - The science behind survival of the fittest

Wednesday, 29 August 2018

Give Me Your Hand by Megan Abbott
Released: 31st July 2018
Published by: Picador
Genre: Adult thriller
Source: Publisher
Pages: 339
My Rating: 4.5 of 5 stars
Kit Owens harbored only modest ambitions for herself when the mysterious Diane Fleming appeared in her high school chemistry class. But Diane's academic brilliance lit a fire in Kit, and the two developed an unlikely friendship. Until Diane shared a secret that changed everything between them.

More than a decade later, Kit thinks she's put Diane behind her forever and she's begun to fulfill the scientific dreams Diane awakened in her. But the past comes roaring back when she discovers that Diane is her competition for a position both women covet, taking part in groundbreaking new research led by their idol.

Soon enough, the two former friends find themselves locked in a dangerous game of cat-and-mouse that threatens to destroy them both.
Thank you to Pan Macmillan Australia for sending me a copy of this book in exchange for an honest review

Megan Abbott's latest psychological thriller firmly cements her position as a master of writing dark, addictive stories about the boundaries of friendships and what it takes to succeed. From Dare Me, The Fever, The End of Everything and You Will Know Me, I became enthralled by her intelligent, whip-smart prose and ability to capture the malignant undercurrents behind even the closest relationships. In Give Me Your Hand she has once again lifted the bar, this time bringing the drama into the scientific world, among the labs, burners and microscopes which hone in on what remains unseen with the naked eye. 

Sometimes it feels like life's about understanding how much opposites meet. Kill to cure, poison to immunize, sacrifice to save. 

Competition can be both a propellant to greatness, or lead to an all-consuming quest to be nothing but the best. It's always fascinating to see how Abbott brings in these elements of human nature, and pushes her characters to their limits. Kit and Diana had been best friends for years, driving each other in high school to always be at the top of their game, and reach the heights of the careers they had dreamed of. But Diana had always been an enigma at heart, the type of person one could admire until they saw that there was something ominous behind her pragmatic facade. There is some primal instinct that linked the main characters and their work, a force that was both brilliant and dangerous. As the novel switches between then and now, the contest to be on the research team reached unexpected twists that went further than I could have anticipated. I was totally gripped by the secrets revealed about not just these two, but everyone else working in lab G-21. In a Megan Abbott novel the suspense is always cleverly framed by the characters' vices and deepest flaws, revealed in elegant prose that pulses with tension and leaves you wanting more. 

When you're in the sciences, when you know about things like neuronal biochemistry and the complex interplay between, say, hormones and emotion, you might imagine you have a deep understanding of the mind. Explain to me why I feel this way, think this way, dream this way, am this way. But consider it: Would you really want to know? 

A good piece of writing can also require some solid research to back it up, and it's clear that Abbott has done the groundwork in this case. I may not know much about the sciences or PMDD, though I may have learnt a thing or two after reading this. The sterile setting of a science lab contrasting with the messy web of secrets, back-stabbing and cover-ups made for a winning combination. Far from the sports field, small-town gossip or world of elite gymnastics of her previous books, Give Me Your Hand feels more mature in this professional workplace context. Notably, she never loses sight of the people that these women were before they reached the pinnacle of their careers and how the experiences in their teens shaped who they would become. It is this depth of character development which is always a stand-out, and part of what makes Give Me Your Hand so compulsively readable.

But to understand, you need to see so much more. Because everything affects everything else. One small speck in one narrow recess and everything else is dark with its shadow. And working with Dr Severin, I know I'll see it all. And I'll be a part of the grander seeing, the illumination of darkness. The hand outstretched to all those women in the shadows. Come with me, come, come. 

FINAL THOUGHTS

Give Me Your Hand is not a psychological thriller for the faint-hearted, but it's the most addictive one I've read in a long time. Smart, dark, and subtle in its revelations of the truth, as always I can't wait to see what Megan Abbott will write next.

Review: The Gulf by Anna Spargo-Ryan - If there's a book you have to read this year, it's this one.

Thursday, 19 October 2017

The Gulf by Anna Spargo-Ryan
Released: 30th May 2017
Published by: Pan Macmillan Australia
Genre: Adult contemporary/coming of age
Source: Library
Pages: 285
My Rating: 5 of 5 stars
'He found an egg at the park so he incubated it and this tortoise hatched out.' 

Skye's sixteen, and her mum's got yet another new boyfriend. Trouble is, Jason's bad news. Really bad. Now mum's quit her job and they're all moving north to Port Flinders, population nobody.

'That's a Southern Right Whale. They have the largest balls of any animal in the world.' 

She'd do anything to keep her ten-year-old brother safe. Things she can't even say out loud. And when Jason gets violent, Skye knows she has to take control. She's got to get Ben out and their mum's useless as. The train home to Adelaide leaves first thing each morning and they both need to be on it. Everything else can wait.

'Ladybirds bleed from their knees when they're stressed.' 

The Gulf is an acute, moving and uplifting story from the inimitable, alchemical imagination of Anna Spargo-Ryan.
I haven't been this moved by a book in a long time. Anna Spargo-Ryan's depiction of the children inadvertently swept up in a dangerously dysfunctional family is achingly real, her writing flawless. I always find it interesting where adult fiction features teen protagonists, and here reading Skye's story as she does anything to protect her ten year-old brother Ben from their harsh reality was no exception. Though this novel deals with some heavy themes, the depth to the characters within it brought a tenderness which left me thinking about them days after I turned the last page.

I went to the door. She was there, folded, on the ground. Knees drawn up to her chest. Her body moved rigidly, statically, and her shoulders slumped as though the air had been pulled right out of them. 

The rule of 'show, don't tell' which exemplifies 'good writing' is a difficult one to master. For a reader, it can be the difference between whether you make an emotional connection with the plot, or simply view the words on a page as a detached bystander. After finishing The Gulf, I can see why Spargo-Ryan has risen to critical acclaim on this point. Every scene she writes, each moment of conflict or reflection which her characters experience is captured through a lens which focuses on how they feel - so you are right there with them. Watching as Skye and Ben were affected by their mother's toxic relationship was at times confronting, however the unflinching portrayal of family violence and spiralling impact of Jason's shady business never veered into territory which was insensitive or contemptuous.

Sometimes all it takes is a few lines to convey the essence of a story, and it's these words which made the biggest impact on me:

I took a deep breath. Watched the hallway slide away from me, pulled myself up as tall as I could. Sucked in all the courage I had, all the bravery I'd ever collected from watching Ben going around in the world exactly the way he wanted. 

What I loved about this book is that alongside the insidious cruelty of Skye and Ben's situation was a glimpse of some goodness left in the world. Jason may have dragged the whole family to a tiny coastal town where they had to start over, but it's there that through the most troubling times came the most heartwarming moments. As their mum grew more distant, Skye displayed a maturity well beyond that of a sixteen-year-old through practically looking after her brother, remaining determined to plan for a brighter future ahead. It was also good to see her defined beyond the challenges she faced at home, through the 'normal' experiences of being a student, and someone on the cusp of a friendship which could be something more.

Then there's Ben: one of the most charismatic, quirky and knowledgeable ten-year-olds I've ever come across in a novel. Getting to see their life through his eyes with an innocence that only a child can possess, brought this book to a whole other level. It was never overly sentimental or lost touch with reality, but gave this story all that it needed to be truly memorable - heart. 

FINAL THOUGHTS

Anna Spargo-Ryan has produced my favourite book of the year so far. The Gulf is impeccably written, but its real triumph is revealing the courage needed to make a better life, and the sacrifices we make to find it. 

Review: Force of Nature by Jane Harper - Australian crime fiction at its finest

Tuesday, 26 September 2017

Force of Nature by Jane Harper
Released: 26th September 2017
Published by: Pan Macmillan Australia
Genre: Crime/Mystery
Source: Publisher
Pages: 384
My Rating: 4.5 of 5 stars
Five women reluctantly pick up their backpacks and start walking along the muddy track. Only four come out the other side.

The hike through the rugged Giralang Ranges is meant to take the office colleagues out of their air-conditioned comfort zone and teach resilience and team building. At least that is what the corporate retreat website advertises. Federal Police Agent Aaron Falk has a particularly keen interest in the whereabouts of the missing bushwalker.

Alice Russell is the whistleblower in his latest case - in just a matter of days she was to provide the documents that will bring down the company she works for.

Falk discovers that far from the hike encouraging teamwork, the women tell a tale of suspicion, violence and disintegrating trust. But does it include murder?
The Dry was hailed as the book of the year at the 2017 Australian Book Industry Awards, so any follow-up was bound to come under scrutiny to see how it compares. I'm happy to say that Force of Nature is addictive and atmospheric; suspenseful in a way that you simply have to experience for yourself.

In this book we get to know more about Agent Aaron Falk, a member of the financial crime division of the federal police. Like its predecessor, Force of Nature is at its core a 'police procedural' novel. But far from the constraints of the suburbs where a murder or missing person case can be solved with the aid of CCTV footage, or even the gossip from those in a rural town, out here in the fictional Giralang Ranges it becomes clear that the mystery behind Alice's disappearance will be more difficult to uncover. It's this added complexity of the rugged setting where the group of women begrudgingly set out on a company team-building expedition that brings the drama to the fore.

Later, the four remaining women could fully agree on only two things. One: No-one saw the bushland swallow up Alice Russel. And two: Alice had a mean streak so sharp it could cut you.

Once again Jane Harper has excelled in conveying the essence of a sense of place. In the Australian bush she brings out the ghostly whispers of the trees and unsettling sounds of the wildlife with vivid clarity. Just as the women struggle to orient themselves in an unfamiliar environment which all begins to look the same, us readers are also led on a twisted path to the truth. Harper skilfully leaves crumbs along the way which ramp up the suspense and enormity of the situation where survival becomes paramount - from the discovery of a meagre pool of water to what could be the abandoned cabin of an infamous killer. What is only a few days of the doomed expedition stretches the entire length of the story thanks to the alternating perspective on the current investigation at hand. Each chapter ends on a 'mini-cliffhanger', a device which achieves exactly what it set out to do - make this a book you Can't. Put. Down.

There was a movement outside her sleeping bag and Beth stiffened. She couldn't tell what had made it - woman or wildlife. She lay still and by the time it disappeared, the word she'd been searching for had formed on the tip of her tongue, so real she could almost taste its residue. Feral. 

The characters are equally well-developed, where human nature is examined as people are pushed to the brink. The boiling pot of personalities, from Alice the self-assured narcissist to Bree and Beth who are sisters that could not be more different, morphs into a powder keg ready to explode. These tensions make the plot all the more compelling, brought together with taut prose that is matter-of-fact yet descriptive. When there's no telling if help is ever going to arrive, ethics are questioned as company politics transcend the office, becoming a different beast altogether. It would be easy for a story like this to turn into a merely pragmatic play-by-play of the events as they unfolded, but I liked how there was more heart to the investigation. Falk's connection to his father who also used to hike the trails in the ranges was an interesting touch, bringing some humanity back to a plot which  otherwise highlights its vices through characters that are teetering over the edge.

FINAL THOUGHTS

If you've enjoyed The Dry, you will LOVE Force of Nature. Nonetheless, this book should be recognised for its own well-deserved merits. Jane Harper isn't just an author to watch, she's one whose work has to be read - do that and you won't look back. 

{Blog Tour} Take Three Girls: Review & Author Interview with Fiona Wood

Sunday, 17 September 2017

Take Three Girls by Cath Crowley, Simmone Howell and Fiona Wood
Released: 29th August 2017
Published by: Pan Macmillan Australia
Genre: #LoveOzYA Contemporary
Source: Publisher
Pages: 423
My Rating: 4 of 5 stars
3 award-winning authors. 1 compelling book.

ADY - not the confident A-Lister she appears to be. KATE - brainy boarder taking risks to pursue the music she loves.
CLEM - disenchanted swim-star losing her heart to the wrong boy.

All are targeted by PSST, a toxic website that deals in gossip and lies.

St Hilda's antidote to the cyber-bullying? The Year 10 Wellness program. Nice try - but sometimes all it takes is three girls.

Exploring friendship, feminism, identity and belonging. Take Three Girls is honest, raw and funny.
Thank you to Pan Macmillan Australia for sending me a copy of this book in exchange for an honest review


Take Three Girls provides an unflinchingly honest view into so many of the real issues facing teenage girls today. We've all heard about, or perhaps even experienced the pain and embarrassment which a slanderous post on social media can inflict. We see the everyday sexism and casual misogyny played out both in reality and through the media. We've felt the change in friendships as people's true colours come through, and found the people who make us realise where we truly belong.

From the pop-culture and music references to the even quicker spread of the rumour-mill thanks to technology, Take Three Girls reads as a story which is current and so relevant. How the girls handled relationships with their families and each other highlighted all the conflicts and contradictions which come up at that age. Sibling rivalries, plummeting self-esteem and the need to put on a 'mask' to be around the popular, snarky group were all topics explored with straight-up honesty. The failed relationships with guys who were never going to give them the respect any young woman deserves and coming to the realisation that knowing your-self worth is so important were some of the other key messages that came through.

Older me, please remember how great it felt to have real friends for the first time. Remember that it felt like something cracking open to give you the wider view, more oxygen. Remember that is also, contrarily, felt like a nest where you were comfortable and safe and restored. Remember that it felt so loose and free when you could let your guard down and stop performing that popular girl version of yourself.

It's the unlikely friendship that bloomed between Ady, Kate and Clem through the Wellness program that made this book such an amazing read. Seeing how they supported each other when each of them came to their own particular dilemmas was heartwarming, and an example of girls helping a sister out in the best possible way. While the revelation as to who was behind the 'PSST' site didn't exactly come as a surprise, I think what this book possesses so much greater substance beyond what was going on online. It placed a well-deserved spotlight on the strength of the girls to unite against the comments and prove that they were good enough and would be successful regardless.

FINAL THOUGHTS

Cath Crowley, Simmone Howell and Fiona Wood are three brilliant Aussie YA authors in their own right, and in this book they've brought together all that talent to create a feminist manifesto with heart.


Author Interview with Fiona Wood


What drew you to the idea of writing a book about the impacts of cyber-bullying? What is the main message you hope readers will be able to take from it?

Our starting point was more to write a book about an unlikely friendship, but the setting of cyber-bullying, and general online nastiness became important for the story. We were inspired by what seemed like a constant stream of stories in the media of misogynistic behavior directed to girls and young women in schools, universities, colleges and the workplace. We wanted to represent that reality, and we hope that one message readers take from the book is that if they are caught up in this type of bullying they are not alone, and it’s not their fault. 

How did the three of you decide to collaborate on this book? What was the best thing about writing with two other authors?

We were already friends who met to talk about writing and we thought it would be fun to write something together. We enjoyed the process enormously, although it did take a lot longer to finish than we had initially anticipated. For me, the best thing was working with two writers whose work I love so much. It was a great opportunity to gain insights into Cath’s and Simmone’s creative processes. And it made a welcome change from the usual isolation of writing.

How does Take Three Girls compare with the other books you’ve written – are there any similarities?

I’m interested in exploring the idea of feminism in my fiction. It plays a big part in Take Three Girls and it’s strongly present as a theme in both Wildlife and Cloudwish. Identity is another central theme in those two books and in Six Impossible Things. Both Van Uoc from Cloudwish and Ady from Take Three Girls are serious art students. Across all my writing I try to write an engaging contemporary narrative, told with a sense of humour, that also deals with some more serious social and political issues.

What is the best attribute of the character you wrote?

So, Cath wrote Kate, Simmone wrote Clem and I wrote Ady. I created Ady as a character who is just discovering how important her creativity is in her life, how much it is a part of who she is. She is learning to flex that muscle. That is a strong attribute that was fun to write, because when you write an artist, your also get to write their art, in Ady’s case, expressed through clothes and costume.

Do you have a favourite moment or quote which you think really captures the essence of the story?

There are so many quotes I could mention from all three characters, but one I like from Ady is, “Imagine slipping out for a full-moon midnight walk, just because you could. We’d start to swagger. We’d own the streets, own the night.”  

What advice would you give to other aspiring authors out there?

Read widely. When you read something you like, read it again to analyse exactly how the writer did it. Why, and how, does it work? The other thing is to finish your work. Good writing really happens in the rewriting, and it’s only when you have a complete draft that you can start the rewriting. 

Check out the other stops on the tour!


{Blog Tour} Mini Review: If Birds Fly Back by Carlie Sorosiak

Thursday, 6 July 2017

If Birds Fly Back by Carlie Sorosiak
Released: 1st July 2017
Published by: Macmillan Children's Books
Genre: YA Contemporary
Source: Publisher
Pages: 344
My Rating: 3 of 5 stars
Linny has been living life in black and white since her sister Grace ran away, and she's scared that Grace might never come back. When Linny witnesses the return to Miami of a cult movie star long presumed dead, she is certain it's a sign. Surely Álvaro Herrera, of all people, can tell her why people come back - and how to bring her sister home?

Sebastian has come to Miami seeking his father, a man whose name he's only just learned. An aspiring astrophysicist, he can tell Linny how many galaxies there are, how much plutonium weighs and how likely she is to be struck by a meteorite. But none of the theories he knows are enough to answer his own questions about why his father abandoned him, and why it left him in pieces.

 As Sebastian and Linny converge around the mystery of Álvaro's disappearance - and return - their planets start to collide. Linny's life is about to become technicolor, but finding the answers to her questions might mean losing everything that matters.
Thank you to Pan Macmillan Australia for sending me a copy of this book in exchange for an honest review

If Birds Fly Back is a sweet and heartfelt YA contemporary romance where two teens who are missing important people in their lives find unexpected support in each other. While it did take a little while for me to warm up to the story and connect to the characters, once I did I could see why this book has been getting so much positive feedback - the characters are authentic and this blossoming summer romance is full of adorable moments. 

The title of this book and its meaning definitely comes into the spotlight within the plot, through continuing symbolism which borders on being poetic while retaining a playful voice through Linny and Sebastian's narration. The writing style reflects how these young people feel about their situations in terms of how they think and speak, but I also liked the inclusion of Linny's budding screenplay based on Grace's disappearance and Sebastian's quotations on 'A Brief Compendium of Astrophysical Curiosities'. It's these quirks and unique interests of the characters which made them seem more realistic. Their relationship as it developed may not have been on a total swoon-worthy level, but it was undeniably cute in the best possible nerdy way.  

FINAL THOUGHTS

In all, If Birds Fly Back is a cute, feel-good story about coming into your own place on life's stage and finding someone to share that with. While there may be some missing pieces in what was meant to be the script, this novel shows that with a fresh outlook and new experiences, there is always hope that the next page will bring better days. 

{Blog Tour} A Quiet Kind of Thunder by Sara Barnard - when there is wonder in more than words

Tuesday, 3 January 2017

A Quiet Kind of Thunder by Sara Barnard
Released: 12th January 2017
Published by: Pan Macmillan
Genre: YA Contemporary
Source: Publisher
Pages: 320
My Rating: 4.5 of 5 stars
Steffi doesn't talk. Rhys can't hear. They understand each other perfectly. Love isn't always a lightning strike. Sometimes it's the rumbling roll of thunder...

Steffi has been a selective mute for most of her life - she's been silent for so long that she feels completely invisible. But Rhys, the new boy at school, sees her. He's deaf, and her knowledge of basic sign language means that she's assigned to look after him. To Rhys it doesn't matter that Steffi doesn't talk and, as they find ways to communicate, Steffi finds that she does have a voice, and that she's falling in love with the one person who makes her feel brave enough to use it.

The stunning new novel from the bestselling author of Beautiful Broken Things is a love story about the times when a whisper is as good as a shout.
Thank you to Pan Macmillan Australia for sending me a copy of this book in exchange for an honest review


If there's one word I would use to describe this book, it would be honest. From its portrayal of anxiety to the thrill of a first love, Sara Barnard has addressed these ideas with both sensitivity and an impression of tangible reality. When communication is considered one of the cornerstones of any successful relationship, this novel explores how it reaches far further than just the spoken word.

From the beginning of the book, Steffi comes across as a complex and endearing character. With selective mutism driven by her anxiety, she often felt isolated from the rest of her peers, aside from her best friend Tem. Her parents also had a role to play in the novel, and their presence in the story made it all the more realistic. I really appreciated how Steffi's anxiety and mutism wasn't 'blanked coated' at all, and instead broken down into things like the separate diagnoses. Even the internal conflict about using medication to help was mentioned, as well as the significance of talking things through with her therapist. Snippets of her mindset at different points in the book helped me to empathise with her character, and overall the consideration which the author gave this as a whole added to its authenticity. 

When Rhys and Steffi came together as two people who couldn't properly 'speak' for different reasons, it was clear that they could at least find companionship in each other, if not something more. The progression of their relationship from the early awkward phases, to the cute messages, and yet questioning the real motives behind being together, was well written and believable. Even having some explanations on how to communicate in some basic BSL phrases was an eye opener for me, and I could tell that Barnard had done her research into it. It was clear that Steffi didn't need to be defined just as someone 'clinically shy' or Rhys only being noticed as someone different because he was deaf. What was achieved here is the triumph of someone's personality, which is what can really make them heard. What all the relationships in this read demonstrated is the importance of kindness, understanding and open communication, in whatever form that may take. 

FINAL THOUGHTS

Sara Barnard has certainly impressed me, so I'll definitely get to reading Beautiful Broken Things which has also reached high acclaim. I will no doubt be recommending this beautiful book to any YA reader! Genuine and engaging, A Quiet Kind of Thunder is a story about finding your voice, while realising it's what lies in your heart that truly counts.




QnA from Sara Barnard

What are some of your all-time favourite reads? And what are your must-haves?

Station Eleven is my favourite book of all time. My go-to recommends are Slaughterhouse 5, The Poisonwood Bible, Oryx & Crake and On The Jellicoe Road. I recently read the YA book Girl In Pieces and it absolutely blew me away.

Was there a specific inspiration that brought A Quiet Kind of Thunder into life, or was it a multitude of things?

A few years ago I watched a documentary that featured a young girl with selective mutism, which was something I’d never come across before. The documentary showed all the work that the school and the girl’s parents were putting in to try and help the girl, and it made me wonder what would happen to a child who didn’t have that level of support. What would become of them when they became a teenager? That’s where Steffi came from.

You’ve dedicated this novel to ‘the quiet ones’. Could you elaborate on that?

I’ve always been shy, one of the designated “quiet ones”. It can be tough. It’s easy to be overlooked or dismissed, because a lot of the time people assume that if you don’t talk a lot you don’t have anything to say. But you don’t have to be a chatterbox to have a voice, and that is what Steffi represents. I hope this book resonates with other people who have had these kinds of experiences in their own lives.



What are some of your favourite diverse YA reads with characters who have a mental illness or disability?

You Will Know Me by Megan Abbott - The tumbles and malevolent twists of elite gymnastics

Saturday, 19 November 2016

You Will Know Me by Megan Abbott
Released: 26th July 2016
Published by: Picador
Genre: Adult thriller
Source: Publisher
Pages: 352
My Rating: 4.5 of 5 stars
Katie and her husband Eric have made their daughter Devon the centre of their world. Talented, determined, a rising gymnastics star, Devon is the focus of her parents' lives and the lynchpin of their marriage. There is nothing they wouldn't do for her.

When a violent hit-and-run accident sends shockwaves through their close-knit community, Katie is immediately concerned for her daughter. She and Eric have worked so hard to protect Devon from anything that might distract or hurt her. That's what every parent wants for their child, after all. Even if they don't realize how much you've sacrificed for them. Even if they are keeping secrets from you...

 A mother knows best... doesn't she?
Thank you to Pan Macmillan Australia for sending me a copy of this book in exchange for an honest review

This is what she knew: you win or you lose everything with a flick of the wrist, a turn of the ankle, not enough lift, a slipped hand on the beam.
And everything changes, everything goes dark, and is gone. 

If you thought Megan Abbott knew how to write about the toxic world of cheerleading in Dare Me, just wait until you've read this book exploring the merciless fallacies of elite gymnastics. The characterisation is as intricate as ever, with prose that captures every moment, every emotion in the sharpest turn of phrase. A family's devotion to their daughter's potential for greatness and an accident leaving those in their microcosm reeling, converge to form a book that shatters the delicate illusion of grace these athletes supposedly possess. 

She hadn't learned, no one had taught her - Katie and Eric hadn't taught her - that the things you want, you never get them. And if you do, they're not what you thought they'd be. But you'd still do anything to keep them. Because you'd wanted them for so long. 

Once again, Megan Abbott has wowed me with her attention to the nuances of human behaviour and the most significant relationships which define both our lives and identities. The story is told from the perspective of Katie, the mother of a gifted gymnast whose gleaming potential must be harnessed. This book is not simply about the sport itself. As always there is a malignant turn of events, an undercurrent of simmering unease and familial tension. Could Katie and Eric's unwavering devotion to 'The Track' for their child's life compromise the quality of their own? What are the consequences of the suspicious death of someone in their BelStars community? Does mother really know best?

What makes this book one which kept me reading until I couldn't stay awake any longer is the fact that there are so many paths to follow. The term 'secondary' characters in this case does not apply. Each persona Abbott has molded is subtly explicated so that we as readers begin to understand their motives, fears, and hidden desires.

...she could feel Devon before she saw her. The energy she held so tightly until she let it thunder forth: a soaring vault, an epic tumbling pass, a delirious aerial on the beam. 

If you're like me and your main insights into the world of gymnastics is from watching the Olympics and 'Stick It', then You Will Know Me will serve as a stark comparison. All of the technical jargon of this world the novel is set in validates the storyline and enables some parallels to be drawn with the secrets which unfold in other aspects of the book. This is a novel where the girls training under Coach T at BelStars look to Devon both as an image of a champion to be revered, and jealous of. But perhaps there is a danger to this obsession with perfection, this enduring quest to become one of 'the Elite'. She is a streamlined missile who knows her target, and will make any sequence on the beam or perfect execution of a Yurchenko twist count. Ice queen. Golden girl. Someone who believes that 'almost' isn't good enough. It was fascinating to scrutinise her character and the parents of her peers through the lens of Katie's eyes, looking back on the events which shaped Devon into who she was and what she would do to reach that ultimate goal.

FINAL THOUGHTS

You Will Know Me is an exhilarating and turbulent psychological thriller where blinding ambition and hidden weakness come into conflict. This complex and twisted novel is everything I expected from Megan Abbott, and all that I could have asked for.