Author Interview with Nicola West
Thank you! The most challenging part for me
was actually the six months prior to starting Catch Us the Foxes when I was
struggling to write a memoir about my experience of having to fight for my
right to receive a medically necessary hysterectomy as a teenager.
The second I allowed myself to work on what
I was actually passionate about (a twisty psychological thriller set in my
hometown), the writing process completely transformed and went from something
akin to pulling teeth to something that felt effortless. Every single sentence
of Catch Us the Foxes was an absolute joy to write.
Stuck back in the tiny coastal town I grew
up in after my Sydney apartment flooded, one of my only forms of escape was the
phenomenal third season of my favourite TV show – Twin Peaks. Revisiting both
the fictional town and my own former hometown made me realise what a perfect
setting the latter would make for a crime novel. I immediately began Twin Peaks-ifying
Kiama and went searching for my own Laura Palmer. As an Australian, she
couldn’t be a prom queen, but she could definitely be a showgirl. That single
character (and her death) became the catalyst for the entire book.
Twin Peaks was definitely the biggest
influence on the setting (along with my own small-town upbringing). However, I also
wanted to incorporate a cult element into the book as they are something I’ve
always been fascinated with (ever since my mum told me I would join one as a
child). The original Wicker Man undeniably does ‘small-town cult’ best, but I
also really loved the way the first season of True Detective created such
strong iconography for its own cult. Combining the two left me with mysterious
symbols carved in flesh, people in animal masks, flower crowns, and ritual
sacrifice.
Exploring Marlowe’s detachment
(particularly when it comes to relationships) was something that was
significant to me as it not only reflected my own experiences growing up but is
also something that is seldom portrayed in fiction. It was interesting to be
able to capture Marlowe from the perspective of the male gaze while simultaneously
granting her the agency to be open about her feelings (or lack thereof). To
this day, reading the scenes with Owen makes my skin crawl.
It sounds incredibly cheesy, but you really
have to find what makes your heart sing. I took a non-fiction writing course
when I was writing my memoir and a guest author said that the writing process
had to feel like a compulsion – like something you couldn’t live without. I
remember being frustrated by that comment because it was so contrary to my own
experience. But when I finally ditched the memoir and switched to the novel, I
suddenly understood what she meant. Don’t be afraid to change things up and
experiment with genres/styles until you find the one that resonates with you
most.
I’m severely immunocompromised and have
only left my apartment complex twice in the past sixteen months (to get both
vaccine shots). So, until Australia gets its act together and a larger
proportion of the country is fully vaccinated, I foresee a lot more time spent
in these same four walls.
Thankfully, I was able to take advantage of
my newfound free time and completed two new novels during the pandemic – the
sequel to Catch Us the Foxes and a new standalone thriller. I’m also looking
forward to a bevy of Zoom events over the coming months. So please come and say
‘hi’ – I really need the human interaction!
About the author
Nicola West is the daughter of a
third-generation police officer and grew up in a bucolic coastal town in New
South Wales. After moving to Sydney to pursue a career in journalism, she vowed
to be as far removed from both her hometown and her father’s profession as
possible—that is until she found herself writing a novel about both topics.
Nicola was initially writing a memoir about her decades-long medical journey that saw her undergo 40 surgeries, 71 lumbar punctures and experimental neurosurgery. But, inspired by her love of all things crime, cult, and the local urban legends of her hometown, she pivoted to thriller writing and found it far more therapeutic. Catch Us the Foxes is her first novel.
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