Author Interview: Talking Sense Audiobook - Living with sensory changes and dementia by Agnes Houston and Julie Christie

Tuesday, 27 October 2020

Talking Sense: Living With Sensory Changes and Dementia by Agnes Houston with Julie Christie
Released: 19th September 2020
Published by: Dementia Centre
**Download a free copy of the book here!**
Talking Sense: Living with sensory changes and dementia, written by Agnes Houston MBE with Dr Julie Christie, is a popular print and online resource and now for the first time will be available as an audio book. This is one of the first audio books in the world to use dementia-friendly audio to ensure it is readily accessible for people living with dementia, along with carers and supporters. “We’ve created this new audiobook version of Talking Sense to support people who are more comfortable with auditory learning – particularly people with dementia who may find it difficult to read or focus on words on a page.” A/Prof Cunningham said. The audio book provides an opportunity for people with dementia to engage with helpful information and practical advice in a format which is especially tailored for their needs. Talking Sense is the culmination of more than a decade of research by Agnes Houston after she was diagnosed with younger onset dementia in 2006. She found that not only was there little support for continued independence, but what support there was had virtually no awareness of the common experience of sensory change. “It was as if I had been given a diagnosis, was assessed cognitively, medication monitored and left to my own devices,” Ms Houston said. “Instead, I chose to go on a quest for knowledge to understand what was happening to me. Surely, I was not the only one having these sensory changes?” Ms Houston is known internationally as an advocate for people living with dementia and in 2016, she completed a Churchill Fellowship to continue her learning about the often-overlooked issue of sensory challenges.
Last month I had the opportunity to attend HammondCare's international dementia conference, showcasing a range of speakers and events surrounding topics on residential care design, different approaches to caring for people living with dementia and emerging research/educational resources being published in the area. With a rise in Australia's ageing population and the need for increased services and resources specifically directed at understanding dementia and how it affects people's lives, I believe that books like Talking Sense are more important than ever to raise awareness on this important issue. More information can be found on the Dementia Centre's Knowledge Hub here

Author Interview

How did the idea for writing Talking Sense first come about? Were there specific gaps in current literature and resources for carers and people living with dementia which acted as a key influence?

Agnes: I was diagnosed with younger onset dementia of the Alzheimer’s type in 2006.  My care afterwards was in the hands of the old age psychiatry service.  It consisted of a dementia ‘early onset’ nurse to monitor my medication and my cognitive function. I found it to be a negative experience, which was all about loss.  There was no attention paid to my sensory challenges, no rehabilitation programme and no counselling.  I felt as if my care was out of my hands. I consulted my optician who knew little about dementia.  My GP team knew little about the sensory challenges associated with dementia.  My psychiatrist made time to talk and listened to my experiences but I felt that little practical help was given to me. Something was missing.  It was as if I had been given a diagnosis, was assessed cognitively, medication monitored and left to my own devices.  Instead, I chose to go on a quest for knowledge to understand what was happening to me.  Surely, I was not the only one having these sensory changes.  This prompted me to ask other people living with dementia about their experiences. As a result, I produced in 2015 a booklet ‘Dementia and Sensory Challenges’ (funded by the Life Changes Trust in Scotland.  In 2016, I obtained a Churchill Fellowship to travel to other countries to learn more.  My findings confirmed the need for this handbook, which we hope will be a starting place for others to discover information on sensory challenges. Among other things, it shows who to go to for help, where support organisations can be located and how to access services and support.

What was the process for coming up with the idea of creating the work as an audiobook?

Julie: It was always our intention to have an audiobook. Talking Sense at its heart is about accessible information. Many of the people interested in this area are living with visual changes and so an audiobook is essential.

Agnes: As I previously was an army nurse, I was assessed for support by Scottish War Blind, who have been fantastic.Through their support I have learnt many skills for coping with sight challenges and have discovered how important audio versions are to ensure this information can be accessed by as many people as possible – friends supported by Scottish War Blind said is was “Always a hassle having to ask people to read it out to me”.

Through your research for the book in relation to dementia symptoms, what were some of the most surprising findings that general readers may not have expected?

Agnes: I was so surprised to discover that there isn’t a specialism and that people are expected to live with often severe changes without the support they might otherwise get with another health problem. You can get a test for hyperacusis, but it wasn’t being routinely offered. You need to ask for it – “the uncomfortable loudness test”. I was also surprised at the numbers of people having sensory challenges, which was higher than I ever anticipated and that these sensory challenges were causing them the most effect of their lives, rather than the memory problems.

Julie: From my perspective, as a nurse and a social worker, it was looking at the experience of sensory changes from the perspective of day to day impact. The ways in which sensory changes make you feel, for example, as a result of losing confidence in going out, the things you miss out on through this, the conversations you can’t take part in. Helping people to regain confidence or find new ways to self manage problems has been very rewarding.

How did you discover that sensory changes were a significant impairment associated with dementia?

Agnes: Many people who receive a diagnosis of dementia are aware that they may experience memory problems. But they are often surprised when they begin to encounter ‘unexplained’ sensory changes. I began having problems seeing things and went to my optician.  My optician said that my eyesight was perfect, but my brain was having problems processing what my eyes were seeing – something known as ‘brain blindness’.

In your opinion, what are some improvements that can be made in relation to community awareness about dementia, and particularly surrounding young onset dementia?

Agnes: Design, in my opinion. What is missing when people talk about improvements is the design – thinking about sensory changes.  You must speak to people with dementia. Signage – too much, the wrong information, too many words.

Julie: My own research is focused on the resilience of people living with dementia. Helping people to stay connected, have more control over their circumstances and have the opportunity to make sense of their lives all help to promote resilience and a sense of well-being. Whether this is something practical, such as, better design and way finding support, or making time to talk to people about their lives and what they want.  There is a lot we can do.

What are some of your top pieces of advice for aged care workers to better care for residents who are living with dementia? Are there differing challenges to watch out for compared to at-home carers?

Agnes: Think problem, think sensory, think solution. Read the book! It’s all in there. Just ask the person living with dementia. Be a detective.

Julie: Caring is a skilled job no matter the setting. Good care is built on relationships. This involves taking the time to get to know the person and working at their pace. Realising the importance of individuality, of everyday personal moments and routines. It is often the small things we do that are the most important. Ensuring we take the senses into account is an essential part of this.

Could you provide us with a glimpse of any other current research projects you're working on in this space?

Agnes: I am currently looking at research ethics regarding people with dementia. I am part of a panel, Dementia Enquirers, which has set Gold Standards to help people living with dementia to choose which research projects to be involved with. 

Julie: I’m continuing to work in the resilience space focusing on how care staff can use resilience in their day to day work with people living with dementia. Agnes and I are both advocates of learning about life through our shared experiences and resilience is often a subject we discuss. I admire her greatly for bringing this work to life for so many people.

About the authors


Agnes Houston MBE is a dementia activist who has always put others first. She was diagnosed with younger onset Alzheimer’s disease in 2006 at the age of 57. She has campaigned for best practice and improving the lives of people with dementia (especially those experiencing sensory issues) in Scotland and received a lifetime achievement award from Alzheimer Scotland in 2013. Agnes is former Chair of the Scottish Dementia Working Group and currently Vice Chair of the European Dementia Working Group and a board member of Dementia Alliance International. In 2015 Agnes was awarded an MBE and in 2016 was awarded a Churchill Fellow.



Dr Julie Christie is Service Manager - International at the Dementia Centre, HammondCare, based in the UK. Dr. Christie is a visiting Research Fellow with the University of Edinburgh and an Adjunct Lecturer at the University of New South Wales with a focus on resilience, citizenship, and co-production.  She is a reviewer for the Journal of Research in Nursing, Ageing and Society and Dementia: The International Journal of Research and Practice. Dr Christie is currently the lead for the  Dementia Dog Programme evaluation and the Life Changes Trust funded Dementia Friendly Communities Programme, both in Scotland. She oversees the work of Dementia Support UK: Connect, Consult HammondCare’s UK consultancy service for care homes.  

Author Interview: Before the Beginning by Anna Morgan

Tuesday, 20 October 2020

Before the Beginning by Anna Morgan
Released: 29th September 2020
Published by: Hachette
Genre: YA Contemporary
Source: Publisher
Pages: 235
The story of four friends, a mysterious stranger, and the week when everything changed. For fans of We Were Liars. Schoolies week: that strange in-between time when teenagers move from school into the adult world. It's a week when anything is possible, and everything can change. Grace is questioning everything she thought about herself, and has opted not to join her clique of judgemental friends for schoolies, instead tagging along with her brother Casper and his friends. Casper, an artist, is trying to create the perfect artwork for his uni application folio. Overachieving, anxiety-ridden Noah is reeling from a catastrophe that might have ruined his ATAR result. And Elsie is just trying to figure out how to hold their friendship group together. On the first night of the trip, they meet Sierra, a mysterious girl with silver-grey hair and a magnetic personality. All of them are drawn to her for different reasons, and she persuades them to abandon the cliched schoolies experience in favour of camping with her on a remote, uninhabited island. On that island, each of them will find answers to their questions. But what does Sierra want from them? An empathetic and suspenseful coming-of-age story from the author of All That Impossible Space.
Equal parts suspense and coming-of-age novel, Before the Beginning is a unique offering in the YA contemporary space exploring the time between school ends and the future beyond. 

Author Interview with Anna Morgan

How did the writing process for Before the Beginning differ from the experience coming up with the plot for your first novel All That Impossible Space?

It was very different! I wrote All That Impossible Space over about four years of writing and redrafting (much longer if you count all the years the story was growing in the back of my mind). I wrote the first draft of Before the Beginning in about six months, so it was much faster. With my second book I knew from the start the specific characters and themes I wanted to explore, and I knew I wanted to set it over one week from different perspectives: having that structure in place helped focus the writing process. Since I was working with my publisher from the beginning, I had editors involved from much earlier in the drafting process. That was a little scary at first for me, but it made the book SO much better and I feel very grateful to have shaped the story with their guidance from those early stages. Oh, and I had more confidence in myself as a writer the second time around, since I knew I'd done it once and could do it again.

What drew you to exploring the coming of age period of time just after high school in this book?

One of my favourite aspects of YA novels is that in-between feeling of transformation and change, that is such a classic teenage experience. Schoolies week - that week just after school finishes - is an especially intense time for this feeling. It's after exams, but before your results, after school, but before many teens know what they are going to do next. It can bring up a lot of anxieties for people too since it's such a pressure-cooker setting - lots of emotional issues can bubble up to the surface, but there's also such a sense of energy and possibility over the week.

Was there a favourite character out of the group which you found was easier to make come to life on the page?

It's impossible to choose a favourite! I love all my characters and am frustrated by them in equal parts - even though all four are very different, they are all based on aspects of myself and they experience versions of what I went through in my teens and early twenties. I've had unreasonably high expectations of myself like Noah, or had a worldview that didn't fit with my experiences any more like Grace, I've struggled with creative blocks like Casper, and I've underestimated myself like Elsie. I did find that Noah's section flowed particularly well as I was writing - and every time I re-read it I just want to give him a big hug! - so I do have a soft spot for him.

What are some of the main messages you hope teens in the same position as some of the characters in this book will be able to reflect on?

The end of school was such an anxious and all-or-nothing time for me, and it is for some of my characters - the main message I want to pass on is that it is okay to change, it's okay to be unsure, and you will figure it out. It's much more important to figure out who you are and what you want from your future than it is to chase a perfect score or to get into the best course. I know this year's school leavers in particular have shown incredible resilience as they deal with the upheaval of 2020, and I hope they can take some comfort from the upheaval my characters go through - even if nothing goes to plan, you will get through to the other side.

Could you give us a sneak peek into what you may be working on next?

I really loved all the research I was able to do around setting for this book - I set the novel on a fictional version of an island I love off the South coast of NSW and I learned so much about all the wildlife and plants that live there. It was also a place under threat by the fires this January, which emphasised to me even more how important it is to celebrate this land in literature and how much we need to protect it. So that might be working its way into my next book - possibly looking at climate action and young people growing up in regional Australia. But don't hold me to that because it could completely change!

About the author


Anna was born in Sydney, but spent most of her childhood surrounded by mountains in Nepal and Tibet while her parents were part of an international community of health professionals. Navigating this cross-cultural life made her a curious observer of people, although most of her time was spent reading Enid Blyton and dreaming of going to boarding school. This did not cushion the shock of shifting from home-school in Tibet to an all-girls high school in Melbourne when her family returned to Australia. ALL THAT IMPOSSIBLE SPACE explores some of the intense and convoluted friendships that thrive in this setting. Anna completed a MA in Writing for Young People at Bath Spa University in 2015, and now lives in Melbourne with her husband. She works as a bookseller.


Author Interview: A Taste of Life and Love in Australia by Margaret Lynette Sharp

Wednesday, 9 September 2020



A Taste of Life and Love in Australia by Margaret Lynette Sharp
Released: 10th May 2011
Published by: Self-published
Genre: Short Stories, Australian
Source: Library
Pages: 368
This is a highly readable volume of Short Stories, set in modern Australia. Most tales are romantic. The book kicks off with 'The Girl Next Door', an engaging tale of a young man's affection for his neighbour, which sadly goes amiss just as he summons the courage to ask her out.

Other favourites include 'A Song for Ellie': a young man's struggle to be noticed by a singer; and 'The Blossoming': a young woman emerging into life and love. Like all Margaret Lynette Sharp's books, this is edited by her husband Ronald Sharp B.E.M., the creator of the Grand Organ in the Sydney Opera House concert hall.
It's been so refreshing to visit the library again and stumble across some unexpected finds - I came across 'Tales of Life and Love in Australia' while on the lookout for some local authors. The short stories within it are wonderfully told and perfect for small snippets into the character's lives. I soon discovered that Margaret has written quite a few collections so will be checking them out soon!

Author Interview with Margaret Lynette Sharp

What have been the best/most challenging aspects of writing both short stories and longer fiction? How does your writing process for each style of book differ?

Part of the emotional reward I derive from writing fiction is the validation of garnering positive reviews from independent sources – which makes me feel as though I've brought a bit of pleasure to an audience – but probably the more important element is my own personal pleasure in reading the stories sometime later.

The most challenging aspect? There are several. Simply getting the first sentence on paper can be quite daunting. Waiting to see what others make of each book can also be stressful – especially when critics make unkind, and at times untruthful, observations.

My writing style is determined by the type of writing I’m attempting. My Australian romances are written in a fairly informal style, quite unlike my Jane Austen Fan Fiction tales, which are written to replicate Jane Austen’s voice as a revered Regency writer.

I really enjoyed your book A Taste of Life and Love in Australia! Back when you were focusing on Australian fiction, what drew you to the genre and where did your inspiration come from?

I’ve always liked writing short stories – especially romantic ones – and so it was an easy decision. In common with the other titles in this series, “A Taste of Life and Love in Australia” is written in the style of narrative (and thought) that comes most naturally to me. My own "stylistic register," I suppose you'd call it.  A few of the stories are loosely based on actual events in my own life.

Outside of writing, what are some other hobbies which bring you joy?

I’m a keen swimmer, especially in salt water in the summertime. My other favourite pursuit is playing the piano, to which I recently returned after a decade’s absence. Other matters had occupied my attention (and our Steinway had been in storage), but I've so enjoyed my return to the keyboard, that I now wish I’d never stopped playing…  Several of my books – and the "Elizabeth Simmons" series, in particular – have featured young female protagonists who were avid pianists and piano teachers (alter egos, I suppose, though much more proficient than I).

What are the three of the biggest life lessons you've learned through your journey as an author?

First, cultivate patience. It’s the lucky few who are overnight successes after a mere ten years…

Second, develop a thick skin. Remember, reviewers review themselves, and as they say (if they happen to be ancient Romans), "de gustibus non disputandum."

Third, never write purely in the pursuit of money. How can you be true to yourself when you’re simply striving to attract and secure a paying audience? And if you really want to generate income, there are certainly more reliable ways of doing it.

What types of books do you like to read?

I’ve always enjoyed the classics, and as a teenager and young woman, I devoured them in rapid succession. I also like stories such as those written by James Herriot.

Could you give us an insight into your latest release, and a sneak peek into what you're writing next?

My latest release is a Jane Austen Fan Fiction vignette, “A Ball at Longbourn,” which sheds light on the character of the Bennet girls, and especially Lydia. Further vignettes in this series are in the pipeline.

Without giving too much away, is there a particular moment/favourite line in one of your works that stands out to you as being something that you think is quite moving to readers?

I think the conclusion of “Of Love and Secrets,” a short novel that also forms part of the compilation entitled “Love, Now and Then,” is rather moving. The heroine finds happiness after enduring a long train of adversities. This story was highly praised by a Readers Favorite reviewer.

About the author



My early life was spent living near the city of Sydney. I was glad when my family moved us all to an old house in the Georges River district. Here, I found peace, and discovered the beautiful, nurturing environment of Oatley Park. As I grew older, I cared for my ailing mother – meanwhile, studying the art of writing. Six months after she passed away, I met and later married the creator of the Grand Organ in the Sydney Opera House, Ronald William Sharp. We still live in my family home, along with our Maltese, Chicki, and a blue budgerigar named Albert.

Review: Reasonable Doubt by Dr Xanthé Mallett

Thursday, 13 August 2020

Reasonable Doubt by Dr Xanthe Mallett
Released: 28th September 2020
Published by: Pan Macmillan
Genre: Non-fiction
Source: Publisher
Pages: 272
My Rating: 4 of 5 stars
We all put our faith in the criminal justice system. We trust the professionals: the police, the lawyers, the judges, the expert witnesses. But what happens when the process lets us down and the wrong person ends up in jail?

Henry Keogh spent almost twenty years locked away for a murder that never even happened. Khalid Baker was imprisoned for the death of a man his best friend has openly admitted to causing. And the exposure of 'Lawyer X' Nicola Gobbo's double-dealing could lead to some of Australia's most notorious convictions being overturned. Forensic scientist Xanthé Mallett is used to dealing with the darker side of humanity.

Now she's turning her skills and insight to miscarriages of justice and cases of Australians who have been wrongfully convicted. Exposing false confessions, polices biases, misplaced evidence and dodgy science, Reasonable Doubt is an expert's account of the murky underbelly of our justice system - and the way it affects us all.
Thank you to Pan Macmillan Australia for providing a copy of this book in exchange for an honest review

Perfect for true crime fans, Reasonable Doubt offers a harrowing and well-researched glimpse into the criminal justice process and what can happen when the wrong person pays the price. Detailing six cases of wrongful convictions, Mallett's accounts offer deep yet objective insight into how failings in how evidence is inspected and even investigators' own biases can play out with consequences that reach far beyond the crime itself. What makes this book so readable is that Mallett sets out her perspective in a way that is measured and critiques the outcomes in each of the cases with reference to the view that prosecutors should 'fight hard, but fight fair'. The additional information on forensic techniques and methods of analysis used in the cases was particularly eye-opening for those interested in the science and psychology behind the investigation process.

It also accounts for the vast majority of cases which go to trial and are run successfully - this balanced perspective adds to the credibility of the work as a whole and though clearly not a 'joyful' read, it is a thought-provoking one. Probing techniques such as guilt-testing and even failings to consider all possible routes of evidence and scenarios which could have set the innocent free, it's interesting, and somewhat disconcerting, to think that the scales of justice can be impacted on even the smallest change in how a crime and its suspects are presented.

FINAL THOUGHTS

If you're like me and enjoyed books such as The Secret Barrister, In Your Defence, or are already an established true-crime fan not one to shy away from a hard look at some of Australia's harrowing criminal cases, Reasonable Doubt is for you. This book offers what is a unique and fascinating perspective on perhaps the most fundamental tenet of our justice system which deserves greater scrutiny, that Mallett has done well in adding to with her educated prose. 

Author Interview: The Bird Way by Jennifer Ackerman

Saturday, 25 July 2020


The Bird Way by Jennifer Ackerman
Released: 2nd July 2020
Published by: Scribe Publications
Genre: Non-Fiction
Source: Publisher
Pages: 368
From the New York Times bestselling author of The Genius of Birds, here is a radical examination of the bird way of being and of recent scientific research that is dramatically shifting our understanding of birds — how they live and how they think. ‘There is the mammal way and there is the bird way.’ This is one scientist’s pithy distinction between mammal brains and bird brains: two ways to make a highly intelligent mind. But the bird way is much more than a unique pattern of brain wiring, and, lately, scientists have taken a new look at bird behaviours.

What they are finding is upending the traditional view of how birds conduct their lives, how they communicate, forage, court, breed, and survive. They’re also revealing not only the remarkable intelligence underlying these activities, and disturbing abilities we once considered uniquely our own — deception, manipulation, cheating, kidnapping, and infanticide — but also ingenious communication between species, cooperation, collaboration, altruism, culture, and play.

Drawing on personal observations, the latest science, and her bird-related travel around the world, from the tropical rainforests of eastern Australia and the remote woodlands of northern Japan, to the rolling hills of lower Austria and the islands of Alaska’s Kachemak Bay, Ackerman shows there is clearly no single bird way of being. In every respect — in plumage, form, song, flight, lifestyle, niche, and behaviour — birds vary. It’s what we love about them.

As E.O. Wilson once said, when you have seen one bird, you have not seen them all.
Jennifer Ackerman's passion for her subject shines through in this absolute delight of a book. Insightful and a joy to read, The Bird Way provides inspiration to look up and around at these creatures which we have so much to learn from!

Author Interview with Jennifer Ackerman

Congratulations on publishing The Bird Way! How did the writing experience for this book compare to your others such as Chance in the House of Fate, The Genius of Birds and Birds by the Shore?

Thank you! Working on The Bird Way was pure joy. For all three of my bird-related books, I spent a great deal of time in the field with ornithologists and other bird researchers, which is what I really love to do. Some of my books, such as Chance in the House of Fate and Sex Sleep Eat Drink Dream (SSEDD), involved a lot of deep and difficult research on molecular biology and human biology, reading papers and talking with scientists about the genetic and cellular mechanisms we share with other organisms or the way the body works. Then my task was to try to translate the hard science into a lively and accessible narrative about the natural history of inheritance (Chance) or what’s going on in the body over the course of a 24-hour day (SSEDD). For The Genius of Birds and The Bird Way, too, I read numerous papers, but I also traveled around the world to explore bird intelligence and behavior with experts at their field study sites and to meet their birds. I loved every minute of these experiences, especially in Australia.

What are three things you wish people knew more about bird watching?

The birds in your backyard or local park are worth watching, especially for their behavior. There’s no such thing as a boring bird! 

It’s worth putting in the time to learn birding by ear.  I’ve never been very good at identifying birds by their calls, but it’s an invaluable skill and enriches birdwatching enormously. I love to go out in the field with people who are really good at this.

Once you start, you’ll never want to stop.  Birdwatching reminds you that you’re part of a world that’s big and beautiful and wildly diverse. 

Is there a particular moment in your expeditions so far which defined what you love about it?

Stumbling on a male Superb Lyrebird performing on his mound in the Toolangi rainforest. I was with my friend Andrew Skeoch, a superb wildlife sound recording artist, looking for the lyrebirds.  We had slogged up a very wet trail and seen signs of the birds everywhere, scratchings in the soil, and we could hear them from a great distance. But they seemed to be always just out of sight. Finally, late in the day, on the way back down through the forest, we heard one burst into glorious song just up the bank from the trail. It was a magnificent, resonant, booming voice, and Andrew stood next to me whispering the names of all the birds of the forest that the lyrebird was imitating. (Later, I’d learn how the lyrebird actually uses its mimicry to lie to other birds!) The lyrebird flashed its spectacular lyre-shaped tail feathers, and then it was gone. Utterly magical.

Without giving too much away, is there a favourite region or particular species that fascinated you the most while writing The Bird Way?

It’s really hard to pick just one. Meeting the Kea Parrots of New Zealand was a delight. I first met them in an aviary in Austria, the world’s biggest lab for studying Kea. I was warned to take off all of my jewelry, my watch, my barrettes, etc. before I went into their aviary because the birds are so inquisitive, they’ll explore everything they can get their beaks on. I fell in love with them almost immediately. They are incredibly bold, curious, smart, and just downright adorable. In their native New Zealand, they’re called “Clowns of the Mountains” because they’re so cheeky, funny, and playful. And it’s their use of play that I found particularly intriguing. But I won’t give that away here.

How do you think learning more about bird behaviours can help us become better people?

In so many ways. For one thing, focusing on a form of life other than our own helps us understand that we’re not unique in the ways we once thought we were. We share intelligence, behaviours, emotions, and consciousness with birds and other animals. Also, birds model fascinating behaviors. Species of all kinds cooperate and collaborate in everything from hunting, courting, and migrating, to raising and defending their young, sometimes even across species lines. Invariably, it boosts their success. Birds demonstrate the benefits of living in diverse social groups and working together to solve problems. They show us how to be flexible and adapt—and even the great benefits of play.

What has been your career highlight so far?

Researching and writing bird books!

What do you think still needs to be discovered about the bird world and how to conserve endangered species?

We have much to learn. For so many threatened, rare, or elusive bird species, there’s a scarcity of biological information about breeding habits, movement, and ecology, information needed to assess the status of bird populations and to manage their conservation effectively.  The Australian researchers I spoke with--to a person--all lamented the paucity of research, the critical knowledge gaps about threatened and endangered species that prevent good management.  One of the brilliant researchers addressing this issue is Rob Heinsohn, a conservation biologist at Australian National Univeristy.  

Rob runs a research program called the Difficult Bird Research Group (DBRG) dedicated to studying Australia’s most endangered birds and understanding their ecology and conservation. Rob says that these birds, such as the Orange-billed Parrot, the Swift Parrot, the Regent Honeyeater, the Superb Parrot, the Forty-spotted Pardalote, and several others, often fall into the “too hard basket” because they’re difficult to find, often occurring in remote, wild, and rugged terrain, and highly mobile, moving around a lot.  The DBRG conducts research aimed at understanding these species and pulling them back from the ‘brink’ of extinction.

Could you give us a sneak peek at what you're working on next?

Another bird book, this one focused on a particular bird family that’s ubiquitous and beloved around the world.  That’s all I’ll say for now!

About the author


Jennifer Ackerman has been writing about science, nature, and human biology for almost three decades. Her most recent books include Sex Sleep Eat Drink Dream: a day in the life of your body; Ah-Choo: the uncommon life of the common cold; Chance in the House of Fate: a natural history of heredity; The Genius of Birds; and Birds by the Shore. A contributor to Scientific American, National Geographic, The New York Times, and many other publications, Ackerman is the recipient of a National Endowment for the Arts Literature Fellowship in Nonfiction, a Bunting Fellowship, and a grant from the Alfred P. Sloan Foundation.