Catch Us the Foxes by Nicola West

Released: 7 July 2021

Published by: Simon and Schuster Australia

Genre: Crime thriller

Pages: 384

Booktopia | QBD | Goodreads

The hotly contested novel about a small town's killer cult secret by a debut author destined to become Australia's next thriller-writing superstar. Ambitious young journalist Marlowe ‘Lo’ Robertson would do anything to escape the suffocating confines of her small home town. While begrudgingly covering the annual show for the local paper, Lo is horrified to discover the mutilated corpse of Lily Williams, the reigning showgirl and Lo’s best friend. Seven strange symbols have been carved into Lily’s back. But when Lo reports her grisly find to the town’s police chief, he makes her promise not to tell anyone about the symbols. Lo obliges, though it’s not like she has much of a choice – after all, he is also her father. When Lily’s murder makes headlines around the country, Lo seizes the opportunity to track down the killer and make a name for herself by breaking the biggest story of her life. What Lo uncovers is that her sleepy home town has been harbouring a deadly secret, one so shocking that it will captivate the entire nation. Lo’s story will change the course of her life forever, but in a way she could never have dreamed of.

An Aussie-small-town-thriller with grit and shocking twists, Nicola West has made her debut with an electrifying plot. 

Author Interview with Nicola West

Firstly, congratulations on publishing your first book! What were the best and most challenging aspects of writing Catch Us The Foxes?

Thank you! The most challenging part for me was actually the six months prior to starting Catch Us the Foxes when I was struggling to write a memoir about my experience of having to fight for my right to receive a medically necessary hysterectomy as a teenager.

The second I allowed myself to work on what I was actually passionate about (a twisty psychological thriller set in my hometown), the writing process completely transformed and went from something akin to pulling teeth to something that felt effortless. Every single sentence of Catch Us the Foxes was an absolute joy to write.

Was there a particular 'this is what I'm going to write about moment!' that came to you before penning your debut?

Stuck back in the tiny coastal town I grew up in after my Sydney apartment flooded, one of my only forms of escape was the phenomenal third season of my favourite TV show – Twin Peaks. Revisiting both the fictional town and my own former hometown made me realise what a perfect setting the latter would make for a crime novel. I immediately began Twin Peaks-ifying Kiama and went searching for my own Laura Palmer. As an Australian, she couldn’t be a prom queen, but she could definitely be a showgirl. That single character (and her death) became the catalyst for the entire book.

The 'small town' setting definitely makes this book all the more suspenseful as secrets become uncovered, what were some of your influences in making the action take place this way?

Twin Peaks was definitely the biggest influence on the setting (along with my own small-town upbringing). However, I also wanted to incorporate a cult element into the book as they are something I’ve always been fascinated with (ever since my mum told me I would join one as a child). The original Wicker Man undeniably does ‘small-town cult’ best, but I also really loved the way the first season of True Detective created such strong iconography for its own cult. Combining the two left me with mysterious symbols carved in flesh, people in animal masks, flower crowns, and ritual sacrifice.

Without giving too much away, is there a particular moment in the story or character that was especially meaningful to you as you wrote this book?

Exploring Marlowe’s detachment (particularly when it comes to relationships) was something that was significant to me as it not only reflected my own experiences growing up but is also something that is seldom portrayed in fiction. It was interesting to be able to capture Marlowe from the perspective of the male gaze while simultaneously granting her the agency to be open about her feelings (or lack thereof). To this day, reading the scenes with Owen makes my skin crawl.

If there's one piece of advice you'd give to other aspiring authors out there, what would it be?

It sounds incredibly cheesy, but you really have to find what makes your heart sing. I took a non-fiction writing course when I was writing my memoir and a guest author said that the writing process had to feel like a compulsion – like something you couldn’t live without. I remember being frustrated by that comment because it was so contrary to my own experience. But when I finally ditched the memoir and switched to the novel, I suddenly understood what she meant. Don’t be afraid to change things up and experiment with genres/styles until you find the one that resonates with you most.

After an impressive first novel, could you give us a hint at what you may want to work on next?

I’m severely immunocompromised and have only left my apartment complex twice in the past sixteen months (to get both vaccine shots). So, until Australia gets its act together and a larger proportion of the country is fully vaccinated, I foresee a lot more time spent in these same four walls.

 

Thankfully, I was able to take advantage of my newfound free time and completed two new novels during the pandemic – the sequel to Catch Us the Foxes and a new standalone thriller. I’m also looking forward to a bevy of Zoom events over the coming months. So please come and say ‘hi’ – I really need the human interaction!

About the author

Nicola West is the daughter of a third-generation police officer and grew up in a bucolic coastal town in New South Wales. After moving to Sydney to pursue a career in journalism, she vowed to be as far removed from both her hometown and her father’s profession as possible—that is until she found herself writing a novel about both topics.

Nicola was initially writing a memoir about her decades-long medical journey that saw her undergo 40 surgeries, 71 lumbar punctures and experimental neurosurgery. But, inspired by her love of all things crime, cult, and the local urban legends of her hometown, she pivoted to thriller writing and found it far more therapeutic. Catch Us the Foxes is her first novel.

Twitter | Author website

Author Interview: The Unflinching Ash by Angela Armstrong

The Unflinching Ash by Angela Armstrong

Released: 12 July 2021

Published by: Norsou Books

Genre: YA Fantasy

Pages: 353

Amazon | Author Website | Goodreads

In a world like ours, Mystics once ruled the night. Well, so long as they were men. On Ash’s day of naming, she chose the Mystic path nonetheless. The same illusions that garner gasps of awe from the lamp-lit crowds earn her scorn from the basilica. There is only one way forward: a perilous quest – earn the Queen’s Seal, a badge of honour, and immunity. She’ll simply have to avoid being hanged, burned or drowned first.                                                                                                   

When one of my favourite authors of all time, Rachael Craw, put this book on my radar I knew it must be something special! It's clear that Angela Armstrong knows how to pull together a YA-crossover-fantastical story with a strong female lead, healthy dose of humour and key message echoed below that "there isn't one right way to forge a brave path". Read on for more!

Author Interview with Angela Armstrong

Firstly, a big congratulations on publishing The Unflinching Ash! How did the experience of writing this book compare with the novelettes you have released in the past?

The writing experiences for the Gen2K novel and novelettes and The Unflinching Ash had a surprising amount in common. Both were written in answer to disappointment, and then asking, “What if..?”. The Gen2K stories were born of my own infertility crisis, and the discovery of little-known consequences for undertaking IVF treatment.  I then asked, “What if after millions undertook this treatment, the worst happened?” For The Unflinching Ash, I left an international magic show with my three daughters, frustrated by their uncertainty about whether they could aspire to be a magician or only a magician’s assistant. I then asked, “What if there were more renowned female Illusionists?”

While the impetus for writing in both worlds was similar, my approach for each was very different. The Unflinching Ash was written for a long time with an excellent editor from one of the big houses giving me feedback – it was always intended as my chief commercial debut. The Gen2K pieces were what I wrote while I waited. As most people know, busy editors don’t always reply right away. So I could giddily send 15K words of new Ash materia and watch my Inbox, but it would be some time before the editor would come back with notes on what had become a new version of a 100K manuscript. So I filled my back catalogue, did next to nothing to promote it, and waited for the next set of directives for Ash. This allowed me to always be writing, and hopefully offers any keen readers who devour Ash the pleasant surprise of finding more by this author, if they go looking.

What drove you to write in the genre of YA fantasy and what's it like as an author coming up with worldbuilding elements as well as portraying characters which readers can relate to?

A double-barrel! Like a fair share of other writers, I was once a High School English teacher.  I also reviewed screeds of YA ARCs and interviewed YA authors for publishers such as Walker and Hachette for a decade. So I know a little about this age group, the YA market, and the coming-of-age characters populating it. I love YA. While it’s never too late to discover the magic of reading, so many life-long readers’ devotion is earned during those crucial years, and that’s something I want to be a part of. There is a lot of discussion right now about YA no longer being for YA. I lament if this is true!  I hope that instead of striving to push any adults who are reading YA out, we do our best to reclaim any young adults no longer in. For me, one of the most beautiful things about strong YA, is that those stories appeal beyond the young adult years. How incredible if a book keeps being good, as you grow older? Thus, I hope bookstores will file The Unflinching Ash as Cross-over Fiction – great for ages 15+, or confident younger readers. I’m hoping adults will read Ash alongside the young people in their lives. 

You also might find it in the Alternative History, Historical Fiction or YA sections.  Ash is often dubbed as Fantasy, but strictly speaking, I’m not sure it’s fantastical. This is a story about the magic and mystique drawn from within, rather than the magic a mage might conjure with a wand. It’s about illusions, mentalism and showmanship rather than spells.  I hope in it you’ll find a world like ours, but different, with a sassy heroine worth rooting for.  I thrilled in re-imagining our dark ages a little brighter for having Ash in it.

What are some of your favourite and also most challenging aspects of writing that people may not always recognise or talk about?

One of my favourite things about writing is re-reading my own stuff after I’ve set it aside for a while to work on something else. It’s a treat to return to something with fresh eyes and have you sneak up on you. 

I have always backed myself – I know I can write.  But self-promotion is hard. I want readers to know I can write, but I’m no peacock. Finding a way to say, “Do you see my feathers?” without fanning them out is proving difficult.  

Without giving too much away, is there a particular quote or moment in the book which is particularly meaningful to you?

This quote comes from when we meet Ash’s sister, Grete:

Grete wore caution like a crown.  Although Ash and Grete were both born from the same Mapa and Papal, the sisters were antipodean enchantresses.  To Ash the Mysteries had dealt passion, grit and tireless intent, which she carried like a loaded quiver on her strong, lithe frame.  Grete’s appeal was no less, but instead came by way of caution, calm and censure – an attractive safe harbour expressed in her soft edges and soft speech.  Both young women had thick dark hair and the blessing of symmetry on their side.  Both could sneak.

This quote is particularly meaningful to me because it introduces an essential paradigm for the story – these two are both strong, impressive women, but they have responded to trauma and plotted their course in very different ways, and that’s okay – there isn’t one right way to forge a brave path.

If there were three key messages you'd hope readers would be able to take away from The Unflinching Ash and bring into our world, what would they be?

1) There isn’t one right way to forge a brave path. Find yours and take it, allows others to choose their own. 

2) Don’t let the haters get you down.

3) Confidence does not make a woman a b*tch. 

Can I say that?

After this impressive release, could you give us a hint at what you're working on next?

Kind. I'm already elbows deep in a contemporary middle grade magical realism novel set in New Zealand.

About the author

Before writing books, Angela studied English and Film at the University of Otago, taught full-time in schools, owned an art gallery, and reviewed books for trade publishers. She lives with her husband Haki in Northland, New Zealand, where she devotes her non-writing hours to home-schooling three chatty daughters who have inherited a fierce love of words from their mother.

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